Korea center for city and environment researchs.
Korean studies links.
Korea aircleaning association Busan.
 otros PROYECTOS
_ I, M
_Osaka Central Station Area
REVISTAS fresH
_ revista BELLEZA
_ revista OESTE
_ revista UHF
_ el libro mas barato del mundo es esta revista
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Environmental Space /Water House/
HOUSE OF RAIN: THE GEOMETRY OF WATER
Starting from the natural characteristics of Eulsuk-do island, we understand the place through the natural movement of water: tides, rain, swampy lands, river and delta flow. We propose a transformation of the site in order to adequate it to the main flows of water. Thus, we start from the new streams in the site in order to define the structure of the new building with the geometry of drainage. This new landscape is warped, by means of corrugated surfaces, produced as a collector device. We deploy a system of linear aqueducts that gather the water, strictly following the geometry of water route, and covering the programs: structure as a suspended aqueduct system.
The building is covered with an umbrella mechanism of drainage, with overlapped scales that act as the feather suit of a bird. And its position in the floor, as the palafitos, is constructed by means of floating floor slabs in order to ensure continuity to the landscape and natural water flows. The building will float under the water and over the water.
INTERFACE
The building is conceived as a field condition; as a door, as a threshold to landscape and nature that works without apparent figure. Instead a physical door, the building is a preparation device to the landscape. Thus, the project works as a geographical piece: a complex system of juxtaposed ambiences that artificially replicates the nature. Exhibition spaces are conceived as interfaces. Conceived as an aggregation of peninsulas, with maximum contact surface rate with the surroundings, the building is a braided organization that permits maximum surface contact with nature.
As an interchange place, the spaces can be experimented by means of light, colours, sounds and scents that connect body and nature. Under the cover a series of rooms with different spatial conditions are defined: inner rooms, fragmented through light boundaries that can be easily crossed, and external rooms, open in summer and closed in winter.
NESTS
The eco-centre is a house for birds, for plants and also for humans and their artificial environment, a place where the contact between us and plants, animals and geographical conditions can be experienced. The roof is a double surface piece with voids of different sizes between them, where the birds can nest. The geometry of the cover, a sophisticated straw surface, is deformed and popped up in some specific points to produce an open aviary that is deployed over the exhibition spaces.
The building is a living nest, not only a cover for the monsoon rains; it is a group of nests, a house of birds and a shelter for the rain. Other spaces are taller; south orientated and have a glass cover: three greenhouses that permit nature to enter inside the building. Three greenhouses and the open nests deform the initial topography of the roof. It is a group of small mountains made with big scales covered with synthetic and translucent straw that establishes a characteristic silhouette in the flat landscape of the surroundings
EXHIBITION
The structure is as a suspended manglar, a nonwoven fabric that supports the synthetic straw scales and the bird nests. The roof structure replicates the nature. It is defined with patterns taken from nature, its position is configured in order to drive the rain water to the superficial drainage system and its formal organization is based in bifurcations and mixed patterns.
The interior is a continuous space fill with linear and curvy translucent filters that direct the visitor through the exhibition space. Light and fat walls made of glass produce a continuous space that could be divided by means of big rotational and movable walls. The resultant space is conceived as a device that produces spatial disorientation and loss of references.
The interior space is like the inner of a dense wood where you could get lost: full of logs, branches in the air, leaves on the floor and birds singing: a perceptual gate to nature that induces the disconnection with the urban milieu. In order to explain the way the nature works and to complete the exhibition, three mechanisms are deployed inside the building: movement projections (video) wall to wall, image projection robots with fibreglass cables that move according to the number of visitors, and movable exhibition walls. A house for digital and artificial environments.
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Zulo_arK
Izaskun Chinchilla
Mª Auxiliadora Gálvez Pérez
Izabela Wieczorek
[ecosistema urbano]
Andrés Jaque
Uriel Fogue
David Archilla y Covadonga Martínez Peñalver
estudio Motocross
David Díez,
Carolina Gambín,
Antoine Hertenberger
Luis Úrculo
Mónica garcía
Javier Rubio
Ana Salinas Mata Gilbert Wilk
Spacethinking
Juan Elvira
Clara Murado
Jacobo García-Germán
Ángel Borrego
Rodrigo O´Malley Vanessa Cerezo
Carlos Arroyo
Eleonora Guidotti
AMID (cero9)
Cristina Diaz
Efrén García Grinda
Mi5
Nacho Martin
Manuel Collado
Nerea Calvillo
estudio FAM:
Esaú Acosta Pérez.
Raquel Buj García
Pedro Colón de Carvajal Salís
Mauro Gil-Fournier Esquerra
Miguel Jaenicke Fontao
Fermina Garrido
colectivo cuartoymitad
María Hermoso
Ana Miret
Miguel Paredes
Ruth Vega
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